Lot 83
  • 83

Mendelssohn Bartholdy, Felix.

Estimate
2,500 - 3,000 GBP
Log in to view results
bidding is closed

Description

  • Scribal manuscript of part of the Sonata no.2 in D for Violoncello and Piano, Op.58, with autograph corrections and annotations
in the hand of Mendelssohn's copyist Eduard Henschke, Mendelssohn's corrections and annotations in brown ink, with the composer's instructions for the title-page at the foot of the first page ("Duo pour Piano et Violoncelle composé et dedié...au Comte Matthieu Wielhorsky par F MB...") and with other additions and corrections on page two, 2 pages, folio, (c.33.5 x 24.8cm), modern cloth folding box, light browning, a few tiny tears to margins expertly repaired, together with a copy of the first edition of Op.58 (Kistner, 1843), 43 and 12 pages, folio, engraved, plate number 1395, unbound

Condition

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This attractive manuscript contains the opening fifty-two bars of one of Mendelssohn's most polished chamber works, the great Cello Sonata no.2 in D, composed in June 1843 and first performed in Leipzig on 18 November of that year. The composer's absolute attention to detail is revealed not only in his fine adjustments to the dynamic markings in bars 32ff. of the manuscript, but also in his careful instructions for the title-page, entered at the foot of the first page.