Lot 92
  • 92

Yehezkiel Streichman

Estimate
40,000 - 60,000 USD
bidding is closed

Description

  • Yehezkiel Streichman
  • Zilla Embroidering
  • signed in Hebrew (on the reverse)
  • oil on canvas
  • 57 1/2 by 57 1/2 in.
  • 146 by 146 cm.
  • Painted in the 1980s.

Condition

Original canvas. Overall in very good condition. No retouching is apparent when viewed under ultra violet light.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Born in 1906 in Kovno, Lithuania, Streichman came to Palestine in 1924 where he studied at the Bezalel Academy in Jerusalem. In 1948 he was one of the founding members of the Israeli avant-garde movement, New Horizons, and in 1969 a retrospective exhibition of his work was held at the Israel Museum, Jerusalem. Streichman was the recipient of the 1990 Israel Prize.

Yigal Zalmona discusses an affinity between Streichman and the French painter Pierre Bonnard and notes that "The two share a preference for intimate subjects, an introspective mood, and portraits of women. both often deal with the division between interior and exterior (the window motif) as an expression of the psychological polarization between the inner world and external reality. Both tend toward the depiction of an Arcadian world, bathed in Meditteranean lyricism and pastoral order... Both artists' works exude sexuality, joie de vivre, and a pleasure in beauty and ornamentation... There is also a resemblance between the light emanating from their paintings - a soft, opalesque, filtered light which suffuses the form and sometimes creates the illusion of looking at them through a veil." (Yigal Zalmona, Yehezkel Streichman, exhibition catalogue, Israel Museum, Jerusalem, 1987, n.n.)