Lot 14
  • 14

Ben Nicholson

Estimate
500,000 - 700,000 USD
Sold
722,500 USD
bidding is closed

Description

  • Ben Nicholson
  • Jan. 1956 (Zennor Head)
  • Signed Ben Nicholson and titled on the reverse
  • Oil and pencil on board
  • 21 by 45 1/4 in.
  • 53.5 by 115 cm

Provenance

Isaacs Gallery, Toronto

Waddington Galleries, London

Sale: Christie's, New York, November 10, 1999, lot 631

Acquired at the above sale by the present owner

Literature

Norbert Lynton, Ben Nicholson, London, 1993, no. 269, illustrated in color p. 283 (titled 1956, January (Zennor Head))

Catalogue Note

The long, horizontal format of Nicholson's earth-toned compositions were inspired by the rugged landscape of Cornwall in the south-west of England.  Nicholson moved to the region in 1939 to live with Barbara Hepworth in the artist's colony of  St. Ives.  During the ensuing two decades, he sketched and painted a variety of motifs based on his favorite places in the surrounding area, including Lelant, Mount's Bay and Zennor.

Nicholson was heavily influenced by the Cubists, and the deconstructed, geometricized elements of the present composition, which is actually a still-life of table wares, is a clear inheritor of that avant-garde tradition.  Its thematically disjunctive title, however, distinguishes Nicholson's picture from the analytic Cubist still-lifes of Braque, Gris or Picasso.  Norbert Lynton has observed the following about the present work in particular: "Landscape colours had already tended to overrun Ben Nicholson's still-life compositions, denaturalizing familiar goblets, jugs and vases.  This is most marked in 1956, January (Zennor Head), whose title refers us to the coast of west St. Ives" (N. Lynton, op. cit., p. 296).

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