- 163
Camille Pissarro
Estimate
320,000 - 380,000 USD
Log in to view results
bidding is closed
Description
- Camille Pissarro
- Maisons à Pontoise
- Stamped with the initials C. P. (lower right)
- Oil on canvas
- 22 by 18 1/8 in.
- 56 by 46 cm
Provenance
Julie Pissarro, Paris (acquired by 1904)
Ludovic-Rodo Pissarro, Paris (acquired from the above by deed of gift in 1921)
Mme Marie Martin (sold: Christie's, London, November 28, 1972, lot 13)
M Mandler, Paris (acquired at the above sale and sold: Palais Galliera, Paris, March 16-17, 1973, lot 62)
Private Collection (acquired at the above sale and sold: Christie's, New York, May 5, 2004, lot 235)
Acquired at the above sale by the present owner
Ludovic-Rodo Pissarro, Paris (acquired from the above by deed of gift in 1921)
Mme Marie Martin (sold: Christie's, London, November 28, 1972, lot 13)
M Mandler, Paris (acquired at the above sale and sold: Palais Galliera, Paris, March 16-17, 1973, lot 62)
Private Collection (acquired at the above sale and sold: Christie's, New York, May 5, 2004, lot 235)
Acquired at the above sale by the present owner
Exhibited
Geneva, Musée Rath, n.d., no. 107
Bordeaux, Galerie des Beaux-Arts, 1874: Naissance de l'Impressionnisme, 1974, no. 115
Rouen, Salon d'Art Contemporain, Portrait d'une Collection, 1991
Bordeaux, Galerie des Beaux-Arts, 1874: Naissance de l'Impressionnisme, 1974, no. 115
Rouen, Salon d'Art Contemporain, Portrait d'une Collection, 1991
Literature
Ludovic-Rodo Pissarro & Lionello Venturi, Camille Pissarro, son art - son oeuvre, vol. I, Paris, 1939, no. 462, catalogued p. 146; vol. II, illustrated pl. 94
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Paris, 2005, no. 546, illustrated p. 376
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. II, Paris, 2005, no. 546, illustrated p. 376
Condition
Original canvas; faint stretcher bar lines near top and right edges. Under UV light, there are scattered spots of inpainting near top edge above chimneys, to the left of chimeys and the top left corner. Two nail-head size dots near center of composition to address loss. Otherwise, fine.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Fig. 1 Camille Pissarro, La Côte des Boeufs, Pontoise, 1877, The National Gallery, London