- 150
Circle of Giovanni Francesco Barbieri, called il Guercino
Estimate
10,000 - 15,000 USD
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Description
- Giovanni Francesco Barbieri, called Il Guercino
- Christ Crowned with Thorns
- oil on copper, unframed
Condition
Copper plate is flat. Overall paint retention seems quite good and the picture presents a strong image. No major repairs visible to the naked eye. Under U.V. a thick milky varnish is visible, rendering any later retouches virtually impossible to read. One, small loss around knuckles but not significant. Small scratch under eye. A new varnish could help benefit the painting but overall in nice condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Another, larger, version on canvas of this composition is in the Palazzo Corsini, Rome, inv. no. 91.