Lot 93
  • 93

A rare and important Russian Neoclassical brass-mounted kingwood, amaranth and marquetry games table, attributed to Christian Meyer Saint Petersburg, circa 1790

Estimate
150,000 - 250,000 USD
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Description

  • height 29 in.; width 19 3/4 in.; depth open 39 1/2 in.; depth closed 19 3/4 in.
  • 74 cm; 50 cm; 100 cm; 50 cm

Provenance

Private Collection, New York

Exhibited

Chinese Porcelain Company, From Paris to St. Petersburg, New York, October 6-31, 1998, pp. 78-82.

Condition

With a few very minor age cracks to veneer. The brass inlay and mounts with traces of ocidation and surface dirt. In very good overall condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This table is part of a small group produced in the 1790s and now securely attributed to the great German cabinetmaker Christian Meyer, who arrived in St. Petersburg in 1774 and is responsible for some of the finest furniture provided to Catherine the Great and her court. His design, which owes much to English prototypes, is a perfect illustration of the Russian court's obsession with richness and sophistication which ultimately surpassed the Western taste that it sought to emulate.

Five tables of this type are known: three, slightly richer, incorporate ormolu mounts at the top of the legs and on the feet: one sold Sotheby's London 12 June 2002, lot 374; one sold Christie's London 20 June 1985, lot 69; one at Pavlovsk Palace illustrated A. Koutchoumov, Pavlovsk Palace and Park, Leningrad, 1976, p. 150. The last, clearly commissioned by Catherine the Great, would support the hypothesis that this whole group, as has been suggested, were an Imperial commission. Only one other example is known which, in common with this lot, has wooden feet and wooden collars at the tops of the legs.