James Wilson Morrice 1865 - 1924

Estate of F.R. Heaton, Montreal

Collection of Gilles Corbeil, Montreal

Dominion Gallery, Montreal

Private Collection, Ottawa

This painting was recently cleaned and is in excellent condition with no apprent issues under UV.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This marvelous panel has not been seen publicly since 1954 when it was sold through Dominion Gallery to the British High Commissioner in Ottawa.

The women pictured appear to be working.  With her hands held up in front of her, the figure on the far right appears to be threading a needle, while the woman next to her, with her head down, is sewing.

Morrice's choice of palette, particularly the mastic pink of the background arcade, suggests the work dates from 1895-96.  During this time, Morrice had cultivated a friendship with the American painter Robert Henri.  His influence is evident here through Morrice's use of bold pigments and strong brushwork, resulting in a charming scene that is historically significant to Morrice's artistic trajectory.

We extend special thanks to Lucie Dorais for her contribution to this entry.  Ms. Dorais is currently compiling the catalogue raisonné for James Wilson Morrice.