Frank Lloyd Wright

Private Collection, Chicago, IL

David A. Hanks, Frank Lloyd Wright:  Preserving an Architectural Heritage:  Decorative Designs from The Domino's Pizza Collection, New York, 1989, p. 49 (for a sconce from the Francis W. Little House)
Sheila Schwartz, ed., From Architecture to Object:  Masterworks of the American Arts & Crafts Movement, New York, 1989, p. 91 (for a pair of sconces from the William R. Heath House)
Thomas A. Heinz, Frank Lloyd Wright:  Glass Art, New York, 1994, p. 67 (for a sconce from the Francis W. Little House)

Overall in good condition. The gilt bronze armature on one sconce (shown left in the catalogue illustration) appears to have been cleaned and polished, and is considerably brighter in color than the other sconce, with some occasional surface scratches and abrasions consistent with age and use. Based on subtle inconsistencies in the color and texture of the glass, it is likely that the two glass panels mounted in the back plate are replaced. The gilt bronze armature on the second sconce (shown right in the catalogue illustration) appears to be original and undisturbed, with surface soiling, discoloration, and traces of paint on the perimeter edges of the back plate. Based on subtle inconsistencies in the color and texture of the glass, it is likely that the bottom front glass panel and upper left side glass panel are replaced. (Please note this sconce is illustrated upside down in the catalogue illustration, so these replacements are reversed in the catalogue photo.) Both gilt bronze armatures have some minor irregular bending, primarily at the corners and the top and bottom framing, which is common to other extant examples of this Wright sconce design. Both sconces lack electrical hardware, as they were originally utilized as gas fixtures. However, it would likely be easy for a professional electrician to install electrical sockets if so desired. The sconces present beautifully in person, and are very dynamic in form. A formal condition report was recently prepared on these sconces by glass conservator, Tom Venturella, and is available upon request. Please contact the 20th century department to obtain a copy at 212-606-7170.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Wright utilized variations of these rectilinear wall sconces throughout the interiors of the Susan Lawrence Dana House, Francis W. Little House, William R. Heath House, and George Barton House.  The subdued colors of the green and amber glass and gilt patina conformed well to the earth-toned Prairie School palette favored by Wright.