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Charles Rohlfs
Description
- Charles Rohlfs
- A Rare "Cathedral Sconce"
- carved with the maker's "sign of the saw" cipher and with original paper label with indistinct inscription
- oak, copper, brass, and iron
Provenance
Thence by descent
Literature
Leslie Greene Bowman, American Arts & Crafts: Virtue in Design, Los Angeles, 1990, p. 63 (for the model in the collection of LACMA)
David Cathers, Stickley Style: Arts and Crafts Homes in the Craftsman Tradition, New York, 1999, p. 172
Joseph Cunningham, The Artistic Furniture of Charles Rohlfs, New Haven, CT, 2008, pp. 210 and 256 (respectively for the model in the collection of LACMA and illustrated in Rohlfs' advertising card)
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
As early as 1900, Rohlfs had sought to reach out to a broader market, principally through the development of decorative, useful, and affordable items like candlesticks... Notable are the range of wall-mounted oddities Rohlfs offered, including the Cathedral Sconce, two extant models of which date from 1905. This complex, elegant wall-mounted design features an inventively shaped back plate, exquisite candleholder, and adjustable drip pan. As Leslie Bowman has pointed out, "The repetition of square rivets on the copper face-plate relates to Vienna secessionist design, an unusual reference in Rohlfs's work." She notes that Rohlfs "may have been introduced to Viennese design at the nearby Roycroft community." This wall-mounted version calls to mind not only Viennese design but, again, also Japanese and Chinese design traditions.
Joseph Cunningham, The Artistic Furniture of Charles Rohlfs, New Haven, CT, 2008, pp. 210 and 213