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AN EXTREMELY RARE AND MAGNIFICENT BLUE-SPLASHED 'SANCAI' POTTERY MONEY CHEST TANG DYNASTY
Description
- width 9 1/2 in (24.2 cm)
Provenance
Christie's Los Angeles, 4th December 1998, lot 71.
Christie's New York, 21st September 2000, lot 267.
Offered at Sotheby's New York, 17th September 2003, lot 47.
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Models of money chests, which would have been secured with a padlock, have been found in several Tang tombs, but are otherwise extremely rare.
The various extant chests differ in their applied ornaments and in glaze colors, and come in two different sizes. Whereas the use of cobalt-blue is generally found only on the smaller size, the present piece belongs to the larger type and is particularly richly adorned.
Two other pieces of this large size are glazed in sancai colors only, without any cobalt-blue: one of them excavated at Jinjiagou, Luoyang, Henan province and now in the Henan Provincial Museum is illustrated in Henan Sheng Bowuguan, Beijing, 1985, col.pl.156; the other is preserved in the Rietberg Museum, Zurich, and illustrated in Yuba Tadanori, Chûgoku no tôji, vol.3, Tokyo, 1995, col.pl.55.
Compare four chests of smaller size but with prominent areas of cobalt-blue, two of them excavated at Wangjiafen village in the eastern suburbs of Xi'an in Shaanxi province: one of these was included in the exhibition Gilded Dragons, The British Museum, London, 1999, cat.no.48; the remaining two pieces are in the Museum of Fine Arts, Boston, and the St. Louis Art Museum, illustrated in Oriental Ceramics: The World's Great Collections, vol.10, Tokyo, 1980, fig.72; and in Mizuno Seiichi, Tôji taikei, vol.35, Tokyo, 1977, p.112, fig.39.