Lot 172
  • 172

Erwin Wurm

Estimate
6,000 - 8,000 EUR
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Description

  • Erwin Wurm
  • Cahors, Outdoor sculpture
  • signé, daté et numéroté au dos

  • photographie en couleurs montée sur aluminium

  • 186 x 126,5 cm; 73 1/4 x 49 3/4 in.
  • Exécutée en 1999-2000, cette oeuvre est le no. 1 d'une édition à 3 exemplaires.

Provenance

Galerie Art Concept, Paris
Acquis auprès de celle-ci par le propriétaire actuel en 2002

Exhibited

Londres, The Photographer's Gallery; Saint-Gervais (Genève), Centre pour l'image Contemporaine, Erwin Wurm, 2000, illustré p. 39
Graz, Neue Galerie; Paris, Centre national de la photographie, Bologne, Galleria d'Arte Moderna; Karlsruhe, ZKM, Erwin Wurm, Fat Survival. Handlungsformen der skulptur, 2002, illustré p.130

Literature

Yerba Buena Center for the Arts, San Francisco, Erwin Wurm, I love my time, I don't like my time, Catalogue d'exposition, Ostfieldern, 2004, illustré p.236
Ludwig Forum für Internationale Kunst, Erwin Wurm, The artist who swallowed the world, Catalogue d'exposition, Ostfieldern, 2006, illustré en couleurs p.67

Condition

The work is in perfect condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

signed, dated and numbered on the back; colour photograph mounted on aluminium. Executed in 1999-2000, this work is no.1 of an edition of 3.