- 211
Sam Francis
Estimate
10,000 - 15,000 USD
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Description
- Sam Francis
- Untitled
- signed and dated 1975 on the reverse
- watercolor and gouache on paper
- 9 3/4 by 14 1/8 in.
- 24.8 by 35.9 cm.
Provenance
Art Exchange Gallery, San Francisco
Private Collection, California (acquired from the above, circa 2000)
Private Collection, California (acquired from the above, circa 2000)
Condition
In good condition. Pigment separation in some of the dots of more thickly applied color. Slight rippling of the sheet. (not examined out of frame)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This work will be included in the forthcoming Sam Francis Catalogue Raisonné edited by Debra Burchett-Lere and published by the University of California Press, and is registered with the Sam Francis Foundation as archive number SF75-667.