Robert Indiana

Gallery Guy Pieters, Knokke
Acquired by the present owner from the above

This work is in very good and sound condition overall. The rust and oxidation patterns, visible in the catalogue illustration, are consistent with the function of the work as an outdoor sculpture and exposure to the elements and as such part of the artist's intent. There are scattered light surface abrasions. Otherwise, there are no apparent condition issues with this work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Robert Indiana's LOVE image is among the most ubiquitous of Pop art culture. It has become a staple of the popular global lexicon appearing everywhere from U.S. postage stamps to rock album covers. The first LOVE sculpture emerged from a solid block of aluminum and was exhibited at the artist's critically received show at the Stable Gallery in 1966. For Indiana, LOVE was not simply a cultural icon; it was an exploration of language on an aesthetic visual level, a challenge to not only hear but see the expressive power of words in their lines, planes and geometric forms. By enlarging their letters to an impressive scale, Indiana draws our attention to LOVE's elegant linearity and form.

Indiana was strongly influenced by his Midwestern childhood in rural Indiana. The everyday symbols and roadside signs that Indiana observed as a boy in New Castle became the foundation of the artist's work. Compounded by the influence of the industrial environment of the ship yards at Coenties Slip, the present work is the culmination of the artist's fascination of the 'Love' theme, first created in 1971 from Cor-ten steel. The text and form resonate profoundly with its simple and resilient structure. The sculptures' rich patina resonates with natural oxidation of the organic Cor-ten steel, and the raw and natural corrosion produces a beautiful effect of strength and color. Like a strong relationship, it maintains an arduous spirit infused with the comfort and compassion of years. In this marriage of steel and prose, it is a polarity only understood in bonds that are everlasting.