Lot 50
  • 50

A cut-glass bowl with hare decoration, probably Persia, 9th-10th century

Estimate
20,000 - 30,000 GBP
bidding is closed

Description

of deeply rounded hemispherical form with slightly flared sides, on a small short foot, the exterior decorated with five relief-cut hares in running posture, within two thin raised bands encircling the waist

Condition

In fair overall condition, the bowl broken and put back together with cracks visible, one 9 by 5cm section is replaced, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The ninth and tenth centuries saw cut glass become the most prominent form of decoration on various containers such as beakers, goblets and bowls, created by the use of either metal or wooden wheels or differently-size drills made with a stone or diamond point.  The present object belongs to a large group of relief-cut vessels thought to have originated from north-eastern Iran.  Another vessel of extremely similar form and size but decorated with horses can be found in the Museum für Islamische Kunst 1.20/65 (see Carboni & Whitehouse 2002, p.176, pl.82).  Two further comparable pieces that share the 'running hare' motif are also in existence: one in the Al-Sabah Collection (see Carboni 2001, p.90, cat.22) and the other (made of turquoise glass and set with later silver-gilt mounts incorporating gems and Byzantine enamel plaques) in the Treasury of San Marco, Venice (see Buckton [Ed.] 1984, pp.209-13).