- 48
John Haberle 1856-1933
Estimate
5,000 - 7,000 USD
bidding is closed
Description
- John Haberle
- Basket of Purple Grapes with Four Apples
- signed Haberle, l.r.
- oil on canvas, unframed
- 10 1/2 by 15 3/4 in.
- 26.7 by 40 in.
- Painted circa 1890
Provenance
By descent in the family of the artist's wife to the present owner
Condition
Canvas is not lined. SURFACE: appears to be in original condition; three small holes, lower center; scattered craquelure with stretcher marks--some blistering in the red pigments of the apples (varnish is a bit shinier here than elsewhere) ; a few tiny, scattered losses UNDER ULTRA VIOLET: no apparent inpainting
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Because of increasing eye strain caused by Haberle's precise trompe l'oeil painting, he began to use looser brushwork as in the present work during the 1890s. He probably produced a number of similar, small still-life paintings which could be painted quickly and sold at reasonable prices. This impressionistic style was called "broad work" at the time. Many Haberle paintings in this style are still unlocated. The bright, sunny highlights suggest that the work may have been painted outdoors.
We are grateful to Gertrude Grace Sill for her help in cataloguing this lot.