- 74
Paddy Tjamatji (Jampin) circa 1912-1996 TAWURR THE KANGAROO AT KANMANTURR
Description
- Paddy Tjamatji (Jampin)
- TAWURR THE KANGAROO AT KANMANTURR
natural earth pigments and natural binder on plywood
- 60 BY 59.5CM
Provenance
Private collection
Sotheby's, Aboriginal Art, Melbourne, 26-27 July, 2004, lot 28
The Austcorp Group Limited Art Collection
Exhibited
Selections from the Austcorp Group Limited Collection of Aboriginal Art, New Australian Art exhibition series, The Deloitte Foundation, Sydney, series curator: Barbara Flynn, 8 October-14 December 2007
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Cf. Kim Akerman, 'The Art of Kurirr-Kurirr Ceremony' in L. Taylor (ed.), Painting the Land Story, Canberra: National Museum of Australia, 1999, pp.14-32, pl.9
Another version of this painting is in the collection of the National Museum of Australia, Canberra. Kim Akerman writes with regard to this work: 'This is the image of the Tawurr, the kangaroo ancestor as it appears on the cave wall at Kanmanturr (Elgee Cliffs), on Bedford Downs Station. The kangaroo is described as "half-one" because the bottom part of the rock painting has eroded away. The power of the kangaroo is still in this place. Nearby are the spirits of Aboriginal people killed long ago by white people. In Kurirr-Kurrir the two travelling spirits see where the bodies were burned, and they compose a song about the people who were massacred' (ibid p.30).