- 70
Anton van Wouw
Estimate
8,000 - 12,000 GBP
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Description
- Anton van Wouw
- Dagga Smoker
- signed: A.van.Wouw. S.A._Joh_burg and with a GIOVANNI NISINI FONDERIA ARTISTICA ROMA - Via Babuino No 63 plaquette
- bronze, dark brown patina
Condition
Overall the condition of the bronze is very good. There is wear and dirt to the patina consistent with age. The underside is filled with plaster.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This fine bronze represents a Bantu tribesman absorbed in his entrancing drug, hands and feet rough from a life of labour. The ability to capture such character is what earned Anton van Wouw titles as 'Grand old man of South African art' and 'Sculptor of national life.'
Born a Dutchman, Van Wouw did not move to South Africa until adulthood. A keen interest in his new surroundings and sympathy for the African people enabled him to represent the essential spirit of the country.
RELATED LITERATURE
Cohen, p. 23; Pierneef, Van Wouw, cat. 48