Frank Bramley, R.A.

Newcastle Upon Tyne, Northumbria University, Hidden Treasures, The Sena Collection, 2007, not numbered

STRUCTURE This picture is relined and in good overall condition with rich colouring throughout. There are areas of fine craquelure, particularly visible on the three standing figures, however, the paint surface appears to be stable. ULTRA VIOLET LIGHT Under ultra violet light there are retouchings throughout which appear to have been made to infill craquelure. FRAME Contained in a simple modern gilt frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This oil sketch was recently identified as having been made in preparation for Frank Bramley's dramatic Royal Academy exhibit of 1889 Saved (National Gallery of South Africa, Cape Town). The painting depicts a trio of Cornish fish-wives and their children gathered around the fire in a Newlyn cottage to await news of their husbands' boat lost at sea. In 1888 Bramley had exhibited A Hopeless Dawn (Tate) at the Royal Academy, to great critical and public success. The 1888 painting showed a young woman inconsolable after hearing that her husband has died at sea and Bramley conceived Saved as a companion piece, showing a happier ending as the old fisherman in the doorway announces the news of the men's rescue. This energetic sketch shows Bramley's rugged style, inspired by French art whilst the subject is typical of an artist who sought to show the hardship of contemporary life in Cornwall without resorting to melodrama or anecdote.