Italian, 17th/18th century After a model by Giambologna (1528-1609)

on lacquered wood bases

Overall the condition of both bronzes is very good. There is some minor wear consistent with age. The bull has some minor scratches to his proper left flank. The tail of the horse is loose at the joint.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Giambologna's models of a pacing bull and stallion, with opposite forelegs raised, form impressive pendants. Both animals are portrayed in their most vigorous pose, forcefully striding forwards. Hans Weihrauch proposed that the horse and bull were intended as a pair, as presented on a cabinet in the Galleria Colonna, Rome. There are records of the two used as pendants as early as the seventeenth century, in the collection of Jan van Meurs, Antwerp, who died in 1652.

RELATED LITERATURE
C. Avery and A. Radcliffe, Giambologna 1529-1608: Sculptor to the Medici, ex. cat. Victoria and Albert Museum, London, 1978, pp. 174 and 177, nos. 151 and 177; H. Weihrauch, Europäische Bronzestattuetten, Brunswick, 1967, p. 224, fig. 557