Lot 245
  • 245

Carl Vilhelm Emil Milles

Estimate
15,000 - 20,000 GBP
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Description

  • Carl Vilhelm Emil Milles
  • a running man and woman
  • signed: Carl Milles inscribed: Herman Bergman fud. and stamped: POSTH.EX and CARL MILLES
  • bronze, green-brown patina

Condition

Overall the condition of the bronze is very good with some minor wear to the patina consistent with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The Swedish sculptor Carl Milles worked in Paris, Munich, the United States and Rome after beginning his studies in Stockholm. During his stay in Paris from 1897 to 1904 he was deeply influenced by the work of Auguste Rodin. He moved to the States in 1931 and taught sculpture at Cranbrook Academy of Art near Detroit, returning to Sweden four years before his death in 1955.

Milles' fountains are amongst his best-known works and the present bronze group relates to two of these monumental groups - his Orpheus fountain in Stockholm and his Wedding of the Waters fountain in St Louis, Missouri. Both feature energised elongated figures stepping forth balanced on jagged waves. Orpheus has a ring of such male and female figures around the gigantic figure of Orpheus, whilst the Missouri fountain shows a man and woman approaching one another across the water. Both the reference to the fountain figures and the bringing together of the male and female forms make the present group emblematic of Milles' oeuvre.

RELATED LITERATURE
M. P. Verneuil, Carl Milles: Sculpteur Suédois, Paris, 1929