Charles-Raoul Verlet

P. Kjellberg, pp.638-9

Overall in good condition with the usual minor scratches, wear and discoloration to patina consistent with age and use. Minor dents and nicks in places to surface. Slight traces of dirt. Accident to patina underneath the figures left hand now showing the bronze.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

In this group, Verlet depicts Orpheus emerging from the gates of hell in a state of acute anguish, having broken his promise to Hades not to look round at Eurydice, and thus loosing his chance to bring her back from the underworld. The plaster model for La douleur d'Orphée was first exhibited at the Salon of 1887 and a bronze version was erected in the Place Malesherbes but destroyed in 1942.

Charles-Raoul Verlet began exhibiting at the Salon at 1880 and won a second class medal in 1887. At the Expositions Universelles of 1889 and 1900 he won the gold medal and the medal of honour with the Grand Prix. Several of his sculptures have been edited by various founders. La Douleur d'Orphée was founded by Barbedienne in sculptures measuring 125, 100, 82, and 63 centimeters, of which the present example is the tallest.