A rare Mende female figure, Sierra Leone

of overall cylindrical form framed by undulating arms, with a ridged neck and a crested coiffure; dark brown patina overall.

John J. Klejman, New York
Acquired from the above on January 3, 1975

Guggenheim Museum, New York, Africa: Art of a Continent, June 7 - September 29, 1996

 

Good condition overall. Minor surface abrasions (see the left knee) from age and use within the culture. A small area of repair (filled age crack) at the lower right abdomen leading to the right hand.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The Rosenthal Mende Female Figure

Female figures have a number of different uses in Mende culture. Some were used in divination rites to help cure both physical and mental disorders, while others were associated with initiation societies. Without specific documentation it is not possible to attribute these figures to use in specific contexts. In general, such sculptures were used to stand beside and protect the medicines in a society house, where they remain unseen by the public except when they are brought out on special occasions, such as society initiations.

Though Mende figures are often tall and thin, the Rosenthal figure is an extreme example in these regards. The flexed arms, herniated umbilicus and the pendulous breasts balance the legs, thighs, and buttocks on this piece. All of these forms are particularly bold and reminiscent of the strong forms found on the female figure in the New Orleans Museum of Art (published in Herreman 2005: 34). Contrary to the strong body, the head of the Rosenthal figure is in keeping with the elegant forms of Sande society masks with an elaborate hairstyle and long ringed neck. The two small horns on the neck represent duiker horns filled with protective medicines.

William C. Siegmann
Brooklyn, New York
September 2008