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Jack Vettriano, O.B.E.
Description
- Jack Vettriano, O.B.E.
- Narcissistic Bathers
- signed l.r.: VETTRIANO
- oil on canvas
Exhibited
Edinburgh, The Edinburgh Gallery, God's Children, 1992
Literature
Anthony Quinn, Lovers and Other Strangers: Paintings by Jack Vettriano, illus. p. 60;
Anthony Quinn, Jack Vettriano, illus. p. 29
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Jack Vettriano's beach subjects are among his most popular and timeless images. His work is resonant of the golden age of cinema, of jazz music and the nostalgia of the 1950s. Although he refutes suggestion that he is a connoisseur of old movies, the romantic atmosphere of his paintings is no less powerful than the best of cinema. His suave gentlemen in casual suits, braces and rolled up sleeves recall the likes of Clark Gable or Frank Sinatra, whilst his long-legged ladies have the chic grace and sex appeal of Joan Crawford or Jane Russell. Vettriano's work has been compared to that of Edward Hopper whose paintings provide a narrative snapshot that could be taken directly from a Hollywood film. Narcissistic Bathers, like so many of Vettriano's finest paintings, is one of enigma and suggestion, the faces either turned away, obscured or blurred, leaving the viewer to invent the narrative for themselves. The composition and title of the work make subtle referenced to the work of Salvador Dali, an artist Vettriano much admires, in particular to his iconic work entitled The Metamorphosis of Narcissus which hangs in Tate Modern.