Lot 22
  • 22

William McTaggart, R.S.A., R.S.W.

Estimate
25,000 - 35,000 GBP
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Description

  • William McTaggart, R.S.A., R.S.W.
  • adrift
  • oil on canvas

Provenance

The artist's family;
J. W. Blyth Esq.;
Private Collection

Literature

J. L. Caw, William McTaggart R.S.A., 1917, p. 232

Condition

There is a fairly heavy wax relining. Some light scattered craquelure, particulalrly to the sky area and some light discolouration to the varnish. Held in a decorative gold composite frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The current work is a smaller version of Adrift, an important work which William McTaggart exhibited at the R.A. in 1870 and at the R.S.A. in 1871. The subject and effect of both paintings is described by James Caw as "one of grey and windy weather, and, impelled by a sudden squall, a party of three boys and a girl, accompanied by a terrier, are being drifted on a raft, on which they have been playing, out to sea. Although there is probably no real danger, the children are alarmed, especially the boys, who tug at the rude oars in the attempt to win back to land. But their plight has been noticed, as is evident from the action of the figures on the not very-far off quay, and one feels that the adventure will soon be one to laugh over and perhaps to boast about." (J. L. Caw, William McTaggart R.S.A., p. 52) Caw further comments on the quality of the work, stating that the "groups of children are charmingly realised and the faces, happy and dolorous, are beautiful in type and expression." (Ibid, Caw)

William McTaggart is widely regarded as Scotland's greatest landscape painter, achieving great acclaim and success in his lifetime for the development of his very unique and personal form of Impressionism. The 1870s and 80s marked a period of transition for McTaggart where both his subject matter and style changed significantly. The artist moved away from the close-up views of children, such as Spring painted in 1864 and Dora painted in 1868, which displayed an obvious Pre-Raphaelite influence, instead choosing the sea, fishing boats and fisher-folk as a primary source of subject. A noticeable change from the tightly rendered compositions to a freer and more impressionist style of painting is clearly evident. Adrift includes elements of all these important adjustments McTaggart made during this period.