Sergei Vasil'evich Chekhonin

The sheet appears sound. The paper has discoloured and the colours have faded a bit. There are minor flakes of paint-loss to the lower left corner and elsewhere. Held in a simple gilt wood frame and behind glass; unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Chekhonin mastered an impressive range of disciplines, including sculpture, ceramics, book illustration, caricatures and typography design among others. He was a key member of the World of Art society and twice head of the State Porcelain Manufactory prior to his emigration. His ability to intelligently synthesize different branches of learning, used to great effect in the offered work, is one of the most appealing elements of his art. It was painted after his emigration to Paris in 1928, where he worked as a designer for Nikita Baliev's Chauve-souris cabaret and the Ballets Russes.