Lot 268
  • 268

Vadim Zakharov

Estimate
7,000 - 9,000 USD
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Description

  • Vadim Zakharov
  • A collection of five photographs documenting performances, 1981
  • each of four numbered 1, 2, 3, and 4 respectively (on the reverse)
  • gelatin-silver prints

  • one: 8 by 6 in.; the others: 6 3/4 by 4 1/2 in.
  • 20.5 by 15 cm; 17 by 11.5 cm

Literature

Margarita Tupitsyn, "U-Turn of the U-Topian," in David A. Ross, ed., Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism, Tacoma, Wash.: Tacoma Art Museum, The Institute of Contemporary Art Boston, traveling exhibition catalogue, MIT Press, 1990, p. 39, illustrated

Catalogue Note

Many Soviet nonconformist artists used photography in ways consistent with the practices of conceptual art. In the present lot, Vadim Zakharov employed photography as an objective record of two performances: Self-Portrait with an Eye Patch and I Know that any Resistance to Elephants Is Useless. Elephants Hinder Our Life.

An important artist, publisher, and archivist of the Moscow Conceptualist movement, Zakharov participated in unofficial art exhibitions beginning in 1978. In 1980, he co-founded the S-Z group, consisting of himself and the artist Victor Skersis. In 1982-83 Zakharov played an active role in AptArt (Apartment Art) gallery projects. In the closed atmosphere of the AptArt era, he turned to performance art, as in his trademark self-portrait or his performance involving small porcelain elephants.