Lot 1
  • 1

Ivan Pavlovich Pokhitonov

Estimate
150,000 - 200,000 USD
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Description

  • Ivan Pavlovich Pokhitonov
  • Spring, 1888
  • signed I. Pokitonow and dated 88 (lower right); variously inscribed, including numbers 1498, 86, and 9/8 (on the reverse)
  • oil on panel
  • 7 by 10 1/2 in.
  • 18 by 26 1/2 cm

Condition

The following condition report has been provided by Simon Parkes of Simon Parkes Art Conservation, Inc. 502 East 74th St. New York, NY 212-734-3920, simonparkes@msn.com , an independent restorer who is not an employee of Sotheby's. This painting on panel is in remarkable condition. The panel is unreinforced, the paint layer is stable, the painting seems to be clean. Apart from possibly some tiny retouches around the extreme edges, there are no retouches to the picture itself and clearly the picture is in beautiful condition.
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."

Catalogue Note

"If you want to refresh and relax," claimed writer Kornei Chukovsky, "turn to the miniatures of Pokhitonov. One cannot possibly find anything better—how glorious, how poetic, how light and airy the masterful brush of this wonderful artist" (Vladimir Petrov, Ivan Pokhitonov, 2003).

Pokhitonov's contemporaries perceived his talent in much the same way. The great P. M. Tretyakov purchased over twenty of Pokhitonov's works for his collection, and artists Aleksei Bogoliubov, Vasily Polenov and Ilya Repin dubbed him the "wizard," for they all fell under his spell. Repin once wrote to him, "I always admire your beautiful creations; they will forever remain part of our Russian art. I feel these works mirror your pure and kind soul" (ibid., p. 21). Even Western Europeans were impressed; Ernest Meissonier, Jules Bastien-Lepage, Gustave Moreau and Eugène Carrière found inspiration in his miniatures, while Jules Dupré and Henri Harpignies were his friends, imparting him with their Barbizon philosophy and plein-air technique.