Lot 37
  • 37

Mikhail Fedorovich Larionov

Estimate
150,000 - 200,000 GBP
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Description

  • Mikhail Fedorovich Larionov
  • autumn twilight
  • signed with initials in Cyrillic l.r.; further signed in Latin, signed and titled in Cyrillic and dated Autumn 1900 on reverse
  • oil on canvas laid on board
  • 37.5 by 53cm., 14 3/4 by 21in.

Condition

The canvas has been laid on board and is slightly lifting in places. There are fine lines of craquelure in places. UV light reveals a few flecks of retouching, most notably in the background to the right of the figure and long the lower edge. Held in a moulded plaster frame. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Painted when the artist was only nineteen years old, Autumn Twilight is among the earliest paintings by Larionov ever to be offered at auction. According to the listing of the artist's works by Ilya Zdanevich, from 1898 to 1903 Larionov produced mainly sketches and studies – however, full scale oil paintings from this period are extremely rare. The everyday scene of a lady walking her dog in the park is characteristic of these early landscape studies and urban sketches which provide such a contrast to the more conceptual subjects of his mature years. The subject of this painting immediately recalls pictures by Renoir and in the loose brushwork one can already observe the influences of other leading Impressionists whose style Larionov adopted for the next six years and again in the 1930's (fig.1).