Gaston Veuvenot Leroux

signed GASTON LEROUX PARIS. 

Overall in good original condition with the usual wear to patina in places, especially to the top of head, arms and legs consistent with handling and touching. Light scratches and dents consistent with age. The cymbal with punch mark to its center resulting in a discoloration to patina of approximately 1 3/4 in. diameter.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Leroux first exhibited at the Salon in 1882, and his work over the next 20 years was largely dominated by Orientalist subjects. As evidenced by the present and following lot, his most acclaimed subjects were drawn directly from personages of contemporary opera and literature. 

Here the sculptor represents Aïda, drawn from the 1871 four-act opera by Guiseppe Verdi, which was first performed at the Khedivial Opera House in Cairo and commissioned by Ismail Pasha, Khedive of Egypt.