François-Christophe-Armand Toussaint

both figures signed A. TOUSSAINT / SCULPTEUR and with the foundry inscription GRAUX MARLY. / FABt. de bronzes. Electrified. 

Pierre Kjellberg, Bronzes of the 19th Century: Dictionary of Sculptors, London, 1994, p. 628

Electrified. Overall in good original condition with the usual wear to patina in places, especially to the top of head, arms and legs consistent with handling and touching. The back of the base with original hole for wiring. The fan and jewelry casket gilded later.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Toussaint studied under David D'Angers at the École des Beaux-Arts in Paris following his admission in 1827 at the age of 21. A skilled sculptor, he received the Grand Prix de Rome four years later with a figure titled Canapée foudroyé sous les murs de thèbes. He received the médailles de la Légion d'Honneur in 1852, most probably as a result of the present pendant model that the French state comissioned on February 23, 1850 for the Palais de L'Elysée. Both figures were exhibited in bronze at the Salon in 1850-1851 under the no. 3599; the plaster model was exhibited three years earlier under the no. 2162. With this impressive pendant, Toussaint demonstrates his remarkable vision and talent, clearly a tour-de-force of far Eastern elegance and accuracy.