Jules-Félix Coutan

signed Coutan and inscribed THIEBAUT F^{RES FONDEURS}.

The base pierced for wiring. Overall in good original condition with the usual wear to the patina in places especially to the top of head, arms and legs consistent with handling and touching. Light scratches and dents consistent with age. Light socket loose on torchere. Original complete mandolin cords (slightly loose).
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Coutan had a highly successful career as a sculptor and designer, which began with his winning the Prix de Rome in 1871 whilst studying under Pierre-Jules Cavelier at the École des Beaux-Arts. He went on to contribute to the sculptural decoration of many of Paris' most important buildings, such as the Hôtel de Ville and the Palais de Justice. His international portfolio included a pediment in New York's Grand Central Station and a monument to Carlos Pelligrini in Buenos Aires. He was Director of Design at the Sèvres Porcelain factory in the 1890s, before replacing Falguière at the Académie des Beaux-Arts in 1900.