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Commentary on Alfasi's Halakhic Code on Hullin, manuscript on vellum [Yemen, 13th century]
Description
Provenance
1)Sotheby's, London, "The Property of a Collector", 23 May 1929, lot 7
2) David Solomon Sassoon (1880 - 1942), his MS.1062
Literature
David Solomon Sassoon, Letter to the Jewish Chronicle, 28 June 1929; David Solomon Sassoon, Ohel Dawid, Descriptive Catalogue of the Hebrew and Samaritan Manuscripts in the Sassoon Library, London, 1932, I, pp. xxvi - vii, and II, pp. 1081–4; Encyclopedia Judaica, XVI, 1972, col. 745, citing present MS; H.M. Rabinowicz, Treasures of Judaica, 1971, p. 122
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
an important medieval Hebrew manuscript from Yemen
There have been Jewish communities in Yemen since the time of the Second Temple, but the great flowering of Yemenite Jewish culture was from the eleventh century until the conquest of Yemen by the Ottomans in 1546. Like the Christians of Ethiopia, the Yemenite Jews were geographically isolated for centuries from their co-religionists in the west and their culture remained almost unchanged from ancient times. It is a tale of extraordinary survival, against all odds. Their manuscripts are relatively primitive and perhaps resemble the codices of late antiquity. Even to European Jews of the Middle Ages, Yemenite culture must have seemed strange. Rabbi Obadiah of Bertinoro (c. 1450 - c. 1516), who traveled to the Holy Land in 1488, reported from Jerusalem in 1489 the arrival there of a Jewish Yemenite delegation: "and they tell that there are many large Jewish communities [there] ... They possess no tractates of the Talmud, only the Rav Alfas [Alfasi] and the commentaries, and [the books of] Maimonides. All of them are versed in Maimonides" (A. Yaari, Iggerot Erez Yisrael, 1943, p. 143). The present manuscript is very likely an example of one of the commentaries on Alfasi, which Rabbi Obadiah mentions but which are not otherwise known.
This is an apparently unique text by the earliest known Yemenite author. Sassoon devotes one of the longest entries in his catalogue to this manuscript, and singles it out further in the Introduction, pp. xxvi - xvii, as both extremely important and unique. It is described by Rabinowicz, 1971, as one of the great treasures of the Sassoon library. It is a Yemenite commentary on the Halakhic Code on Hullin of Isaac ben Jacob Alfasi (1013 - 1103). The commentator himself is not named. Yemen itself is mentioned on pp. 119 and 145, the latter citing a Responsum of Rabbi Isaac al-Sefardi ben Samuel (one of the two judges of Old Cairo, 1095 - 1127), addressed to Yemen. Alfasi is mentioned by name on pp.36,147 and elsewhere. The commentator uses many Geonic writings, and cites, for example, Yehudai Gaon (pp. 3 and 4), the Halakhot Gedolot (pp. 5, 66, and 146), Natronai Gaon (p. 27), Kohen Tzedek Gaon (p. 155), Rabbi Amram bar Sheshna (p. 3), Joseph Gaon (p. 29), Sa'adya Gaon (pp. 42, 97, 131, 155, etc.), and so forth. On pp. 25 - 26 is an account of the discussion between Mar Jacob Gaon and Abba Mari and Tzadok Geonim, referring to the custom of Andalusia and Fez, perhaps derived from the work of Rabbi Tzemah Gaon. The many sources cited provide a remarkable insight into Geonic philosophy and learning, and the manuscript is a principal source for the study of Jewish scholarship accessible in Yemen in the thirteenth century. An edition of the manuscript was published by Yosef Kapach, Jersualem, 1960.