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Or Ammim (Light of the Nations), Obadiah Sforno, Bologna: Company of Silk Weavers, 1537
Description
Provenance
Literature
Vinograd, Bologna 8; Mehlman 1219; David Amram, The Makers of Hebrew Books in Italy, pp.232-35.; Heller, pp. 224-225
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
copy of the rebbe of sadigora
Obadiah Sforno is best known for his eponymous commentary on the Pentateuch, Song of Songs, and Ecclesiastes, which first appeared in Venice in 1567, several years after his death. Born in Cesena, the renowned Italian biblical commentator and physician studied philosophy, mathematics, philology, and medicine in Rome where, on Cardinal Grimani's recommendation he taught Hebrew to Johannes Reuchlin. Upon settling in Bologna, he played an active role in resuscitating a Hebrew printing house and in organizing the community.
Or Ammim is a philosophical treatise which seeks to refute those views of Aristotle which are in conflict with the principles of Judaism, by employing the basic elements of the Greek philosopher's own teachings. He translated the work into Latin, under the title Lumen Gentium, dedicating it to King Henry II of France (Bologna, 1548). This was the first volume published by an anonymous group of partners who in addition to undertaking the printing of this volume were involved in the local silk trade. The fact that Sforno was still alive at the time of the book's publication allowed the silk weavers to present the galleys to the author for his corrections, which appear on the final two pages of the volume.