Max Beckmann

Lithograph, 1919, signed in pencil, titled 'Die Strasse'  and numbered 45/75, from the portfolio Die Hölle (Hell), on imitation Japan paper, with wide margins, in good condition apart from mottled discoloration, the sheet edges with minor creasing, occasional fox marks, a short tear at upper right, framed

The print is in good condition overall. There is some mottling in the paper tone, most noticeable in the lower margin. Fox marks at the upper deckle are visible upon close inspection. There is some minor creasing in the margins and a 1/4 inch tear at the upper right sheet edge.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This busy street scene depicts war veterans in their brimless caps, one blind and another in a wheeled chair with amputated hands, as street vendors and musicians trying to earn a living amidst prostitutes and regular citizens. The man in a dark suit in the foreground is carried by a mysterious character in a bowler hat, his outstretched arms mimicking those of the rat immediately to his right. As strange as this situation seems, no one on the bustling street seems to take notice or care - a symbol of the dark misdealing of German politics and the indifference paid to this regime by citizens who know better than to interfere or protest.