Italian, 18th century

Overall the condition of the crane is good. There is some minor wear to the surface consistent with age. There are areas of losses to the gilding and gesso ground, particularly to the base, right foot and leg, chest, left side of the head and at the neck at the top. Joints are visible at the left side of the chest of the figure, wings, base and beak. The right wing and beak, of which the top half is possibly a replacement, are slightly loose.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The crane accompanies the female figure of Vigilance in secular allegories. This imagery was derived from Aristotle's Historia Animalium (9:10). The crane held a stone in its claw.  If the bird fell asleep, the stone dropped and would reawaken him, keeping him ever vigilant.  The present crane, with rocks at his feet, appears rudely awakened.