Italian or French, 18th century After a model by Giambologna (1529-1608)

Sammlung Richard von Kaufmann, Berlin 1917, no. 196

Overall the condition of the bronze is very good. There is some minor wear to the patina consistent with age. The little finger of Deianeira's left hand is missing, joints are visible at her other fingers. There is a restoration to the centaur's right hind leg.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Giambologna's model for Nessus and Deianeira was one of his greatest successes. The vibrant depiction of the centaur Nessus abducting the wife of Heracles inspired many reproductions, but seldom on such a charming scale as the present bronze. Another remarkable feature of the bronze is its unfinished surface, which compares well to a larger version of the group in Stockholm (NM SK 340). This distinctive sculpture must have appealed to the eminent German economist Richard von Kaufmann, who had the bronze in his impressive collection in the early 20^th century.

RELATED LITERATURE
L. O. Larsson, European Bronzes 1450-1700, Stockholm, 1992, pp. 32-33, no. 8