Orazio Marinali and Workshop (1643-1720) Italian, Venice, late 17th century

Overall the condition of the marble is very good. There is some minor wear and dirt to the surface consistent with age. There are some minor chips and some minor inclusions, particularly to the figure's forehead. There is a large drill hole to the drapery at the chest. There are some minor chips to the terracotta column which has a painted white marble top and other marble parts.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Orazio Marinali and his workshop produced many grossly exaggerated male and female marble busts to adorn palaces, gardens and parks in Venice and its environs.  This bust exhibits all the energy and dynamism of his signature work.

Interestingly, this playful representation by Marinali of a grotesque head surmounted a pedestal outside the Sotheby's Bond Street boardroom keeping a watchful eye over generations of clients, specialists and honoured guests.

RELATED LITERATURE
A. M. Semenzato, 'Per un catologo degli scultori Orazio e Angelo Marinali', Crit. A., 1956, pp. 589–91