Italian, late 17th/ early 18th century

Overall the condition of the terracotta is very good. There is some minor wear and dirt to the surface consistent with age. There are minor chips to the edges of the base. A small crack runs down the centre of the base but does not affect the skull. There is a crack to the side of one of the bones that sits left and central on the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The skull is the most potent memento mori (a Latin term that translates as 'remember that you are mortal') in Western art as well as the most widespread personification of death.  In the 17th century memento mori served as both as a warning symbol and an object for meditation.  The present skull and bones was likely a model for a marble which would have sat in a church terminating a life-size crucifixion group reminding people of their own mortality.