Spanish, 18th century

Overall the condition of the ivory is good. There is some minor wear consistent with age. Due to the veining of the material small parts have been lost particularly at the drapery between the feet and at the left side of the globe and the crescent moon. The apple at the snake's head has an addition and the snake itself has a recent chip at the right side. There are some further chips to the base. There are some traces of painting and gilding to the hair. The halo has been lost.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This representation of the Virgin Immaculata stands out in the art of Spanish ivory carving for its Baroque character. The Virgin is shown in rapture rather than in the calm state she is often represented. The crescent moon, orb and Beast at her feet are nevertheless common features in 18th century Spanish colonial ivories.

RELATED LITERATURE
Les Ivoires. Évolution décorative du I^er siècle a nos jours, Paris, 1966, p. 67