German, 17th century

Overall the condition of the wood is excellent. There is a minor chip to Cupid's proper right wing.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In this fruitwood relief, the central figure of Venus is based upon a drawing or an engraving of an ancient statue of a Crouching Venus (an early hellenistic work traditionally attributed to the sculptor Doidalsas), which is transplanted and recontextualialized in a Northern landscape. The goddess's son, Cupid, is added balancing on a column behind her. Cupid's mannered pose and his facial type point back to the 16th century. This sort of reminiscences enjoyed much popularity in the artistic movement of the 'Dürer-Renaissance,' which flourished in Southern Germany, especially Nuremberg, in the 17th century.