Hispano-Philippine, 17th century

Overall the condition of the ivory is very good. There is some minor wear, loss of polychromy and ditr consistent with age and handling. There is a small chip to the top left corner at the back of the relief.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The distinctly carved reeded frame, the form of the clouds and drapery, and the almond shaped eyes of the figures represented in this relief are all characteristics of the Hispano-Philippine school of ivory carvers.  Likely inspired by a European engraving, the relief was carved in a Chinese workshop, possibly in Manila, under the direct control of the Jesuits. The present ivory stands out among other Hispano-Philippine ivories in its well-preserved polychromy, intricate carving and vacillation between high and low relief.

RELATED LITERATURE
M. M. Estella Marcos, Ivories from the Far Eastern Provences of Spain and Portugal, Monterrey, 1997, cat. no. 132, 296