Follower of Quinten Massys

With Charles Sedelmeyer, Paris;
From whom purchased by Catholina Lambert, New York;
His sale, New York, Anderson Art Galleries, Inc., 21-24 February 1916, lot 201;
Where purchased by Wm. Roberts, London;
Anonymous sale, New York, Sotheby's, 5 April 1990, lot 242 (as circle of Quentin Massys).

The actual painting is softer and less blue in tone than the catalogue illustration suggests. The panel probably consists of one plank and is marouflé. The panel has been cradled. A very thin vertical split of approx. 4 cm. is visible in the lower right corner, but otherwise, no damages seem to be apparent. The paint layer seems to be in good condition. Minor retouchings can be observed in the Virgin's hands and forehead. The paint surface is covered with a slightly dirty and shiny layer of varnish. Inspection under Ultra-Violet light confirms the aforementioned retouchings and reveals additional tiny retouchings around the Virgin's eyes, in her neck and dress, lower centre. Offered in a decorative gilt wood frame with architectural motifs, with a few tiny chips. (MW)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This painting repeats with some minor variations the composition of a work by Massys in the Koninklijk Museum voor Schone Kunsten, Antwerp (inv. no. 242). The original composition is part of a diptych portraying the Virgin at Prayer and Christ our Saviour.