Follower of Simon de Vos

The actual painting is softer and slightly less bright than the catalogue illustration suggests. The single copper plate is slightly undulant. There is a large dent in the upper right corner, and a vertical scratch of approx. 15 cm. The painted surface seems to be in good condition. A few older paint losses, which have been somewhat crudely retouched, are visible in the upper centre in the sky, to the lower right, in the background centre left, and in the horse in the centre. Furthermore, tiny discoloured retouchings can be observed in the face and limbs of the central figure and in the face of the standing figure on the right. The paint surface has grown slightly thin in the darker tones. The paint surface is covered with a dull and slightly discoloured layer of varnish and there's a fine layer of surface dirt. Inspection under ultra violet light confirms the retouchings as mentioned above and reveals additional small scattered retouchings in the sky. Offered in a later plain wood frame with gilt parcels, in fair condition. (MW)
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

We are grateful to Drs. Jan Kosten of the R.K.D., The Hague, for his suggestion of the subject.

This work is painted on a standard size Antwerp copper plate, which was in use in the late 17th Century.