Lot 139
  • 139

Baldassare Franceschini, called Il Volterrano

Estimate
6,000 - 8,000 USD
Log in to view results
bidding is closed

Description

  • Baldassare Franceschini, called Il Volterrano
  • a sheet of studies: a male figure, half length, his arms outstreched, and separate studies of a left leg and right foot
  • Black chalk heightened with white chalk on beige paper

Provenance

Sale, London, Sotheby's, 3 July 1980, lot 17 reproduced, bought by Duke Roberto Ferretti di Castelferretto;
his sale, London, Christie's, 2 July 1996, lot 20

Exhibited

Toronto, Art Gallery of Ontario and elsewhere, Italian Drawings from the Collection of the Duke Roberto Ferretti, 1985-86, no. 41, reproduced

Condition

Paper lighter and less blue-grey than in reproduction. Somewhat discolored around edges (though not as striking in illustration). Some repaired holes towards lower left. Slightly thin and discolored down crease in center. Some other light pink/brown stains towards left. Chalk nonetheless still very good and strong. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This study, once part of an album of drawings by Volterrano, is preparatory for the figure of Christ in the fresco of Saint Martin dividing his cloak with the beggar in the Palazzo Duca di San Clemente, Florence.  The fresco was painted around 1650 (see fig. 1).  A further study, possibly a first idea for this same figure, is in the Uffizi.1

1. See A.M. Petrioli Tofani, Maestri del Sei e Settecento Toscano, Florence 1977, p. 37, no. 26, reproduced; (inv. no. 3381s)