- 171
Attributed to Jacob Jordaens
Description
- Jacob, the elder Jordaens
- 'the light once loved by me, i give, dear child, to thee'(het licht weleer door mij bemind, dat geef ik u, mijn waarde kind)
- Red and black chalk and brown wash, within red chalk framing lines;
bears old attribution in brown ink on reverse of mount: Jordans
Provenance
Literature
R.-A. d'Hulst, Jordaens Drawings, vol. II, Brussels 1974, p. 528, cat. no. C50 (as a copy after Jordaens), reproduced vol, IV, fig. 527
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This charming night scene shows three generations of one family: grandparents, a married couple and their young son. The men hold a lantern with a single candle burning inside, while the mother opens the door of another lantern, so that her son may light his candle. The group illustrates a saying quoted in Jacob Cats' Spiegel van den Ouden ende Nieuwen Tijdt. The relative size of the lanterns- that of the grandparents being smaller than the parents'- is symbolic of life being passed from one generation to the next, and the hope that the elders' virtue will be continued by the generation which follows them.1
Jordaens' oeuvre includes numerous illustrations of proverbs, not only paintings but drawings and watercolours. Of the latter, perhaps the most celebrated are the designs which he made for a series of eight tapestries, a commission undertaken for the Brussels tapestry-weavers Frans van Cotthem, Jan Cordys and Boudewijn van Beveren, on 22 September 1644.2 This drawing cannot be directly related to that commission, but is very similar in technique and conception to the surviving drawings from the series, and most probably dates from the same period of the artist's career.
Another version of this composition is in the Hermitage, St Petersburg, from which d'Hulst believed the present sheet to have been copied, by an unknown hand.3 However, when the Hermitage drawing was exhibited in 1972, this drawing was described, by comparison, as another autograph version, executed 'd'une manière plus souple, plus légère'.4
1. See d'Hulst, op.cit., vol. V, p. 296
2. Ibid., pp. 275-6, under cat. no. A188
3. Ibid., p. 528
4. Dessin Flamands... loc.cit.