- 103
Giuseppe Maria Crespi
Description
- Giuseppe Maria Crespi
- recto: study of a model posed as a seated herculesverso: study of a male figure
- Red chalk (recto); black chalk (verso)
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The attribution to Giuseppe Maria Crespi was proposed by Donatella Biagi Maino who has suggested that this must be a rare example of the artist's early style. In his youth, Crespi frequented the atelier of the Bolognese Carlo Cignani. When his master left for Forli, Crespi took over his studio with Giovanni Antonio Burrini. Donatella Biagi has associated this sheet with Crespi's assiduous studies made in life-drawing academies, which he was attending at that time in the Casa Ghisilieri. She makes an interesting comparison with the red chalk standing academy, now in Stuttgart,1 although that seems closer to the tradition of the accademia carraccesca degli Incamminati. The present study shares some similarities also with the work of Burrini.
1. Sammlung Freiherr Koenig-Fachsenfeld; see M. Pajes Merriman, Giuseppe Maria Crespi, Milan 1980, p. 73, reproduced fig. 32