- 30
Attributed to Simone Pignoni Florence 1611 - 1698
Estimate
7,000 - 9,000 USD
bidding is closed
Description
- Simone Pignoni
- Rachel at the Well
- oil on canvas
- 8 3/4 by 11 1/2 in.
- 22.2 by 29.2 cm.
Condition
Lined canvas. The surface is thin, particularly the white clouds; very fine craquelure throughout. Under UV light: two small areas of inpainting at center in the sky and one at lower left.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This painting would appear to be a small oil sketch for a larger canvas in a private collection (see Il Seicento Fiorentino: Pittura, Florence 1986, p. 425, cat. no. I.237). It differs from the final, more horizontal canvas slightly, with the figures of Rachel and Jacob a bit closer together, and other small variations, most noticeably the lack of a figure of a shepherdess at the extreme right. The full scale canvas has a bibilical pendant, a Ruth and Boaz (also private collection) and the two have been dated stylistically to the early 1650's, suggesting a similar dating for the present sketch.