Lot 93
  • 93

Hema Upadhyay (b. 1972)

Estimate
40,000 - 60,000 USD
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Description

  • Hema Upadhyay
  • Acrobats and their Scenes
  • Executed in 2007
  • Gouache, acrylic, dry pastels and photographs on paper
  • 72 by 48 in. (183 by 122 cm.)

Exhibited

Acrobats and their Scenes, Bodhi Art, Singapore, March - April 2008

Literature

Acrobats and their Scenes, Bodhi Art, Singapore, 2008, illustrated

Condition

Pinholes to paper at each corner and along both edges. Otherwise work appears to be in good overall condition. Colors of original richer than catalogue illustration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

'Upadhyay's works use two media, photography and painting. She begins by questioning the idea of self-representation as a glorificatory act. She de-magnifies the body and amplifies the urban landscape. Migrations and movement have been manifold in her life and have formed the backdrop of her artistic journey from small town civility to urban chaos. Her reflections on the break from ones own personal spaces to the shared experiences of the city are a brooding, enigmatic and emphatic theme of her works. Images layered and juxtaposed to create the wall of urban confusion and decay.' (Johnny M. L., Acrobats and their Scenes, Bodhi Art Gallery exhibition catalogue, 2008).


'Acrobats and Their Scenes is a peak in Hema's politico-aesthetical articulations on/of the dispossessed women. She invests the fractured, fragmented and traumatized selfhood of women with the power of labor. The protagonist in Hema's oeuvre is a woman who has found kinship amongst similar women. She hides while reveals and narrates a story of survival through the production of truths and secretes. In Hema's works the traumatized bodies and souls find a home and dreams" (ibid).