Francis Newton Souza (1924-2002)

Paint applied thickly to canvas not apparent in catalogue illustration. Canvas appears to be in good overall condition. Title of work according to catalogue label on reverse 'House'.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

'Souza's early cityscapes follow a rectilinear structure, which later in the 1960's give way to an apocalyptic vision.  The tumbling houses in their frenzied movement are also symbolic of all things falling apart, of the very root of things being shaken.' (Y. Dalmia, The Making of Modern Indian Art: The Progressives, New Delhi, 2001, p. 93). This apocalyptic vision appears to be inspired by the same post-war angst that had influenced other British based artists like Francis Bacon and writers such as T.S. Eliot.

'The landscapes, architectonic with their cubic factors, are ultimately lyrical. There is an unrestrained enthusiasm, a liberty in the application of colour that is swiftly applied with a palette knife creating smooth pulsating textures.' (Anthony Ludwig, Souza, New Delhi, Dhoomimal Gallery exhibition catalogue).