Lot 1
  • 1

Rabindranath Tagore (1861-1941)

Estimate
30,000 - 40,000 USD
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Description

  • Rabindranath Tagore
  • Head of Woman
  • Inscribed 'Head of Woman/ by/ Rabindranath Tagore/ Paper and Coloured Ink/ Jan 1939/ Property of William R Elmhurst' on the reverse of the back board
  • Watercolor and colored inks on paper

  • 16 by 10 in. (40.6 by 25.5 cm.)

Provenance

Formerly in the collection of William Elmhurst of Dartington Hall

Condition

Signed "R. Tagore/ 8/1/39" lower center. Paper laid down onto acid free card. Minor wrinkles and creasing to paper to left of face and vertical create running up from lower left corner (visible in the catalogue illustration). Colors of original slightly paler than catalogue illustration. (16 1/8 x 10 ½ inches, not 16 x 10 inches)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

'People often ask me about the meaning of my pictures. I remain silent even as my pictures are. It is for them to express and not to explain.' (Rabindranath Tagore)

Born in Calcutta into a wealthy Brahmo family Tagore went on to become one of the most revered poet-philosophers of his time. In 1913 he was awarded the Nobel Prize for Literature, the first non-Westerner to be honored with the award. A poet, author, playwright and artist, Tagore's creative output was immense. His career as a painter dates from around 1928 though he is known to have drawn sketches throughout his career.  What began as doodling on his working manuscripts became an obsession after 1930 and it is thought that in the last ten years of his life he produced over two thousand pictures. His work was publicly displayed for the first time in Paris in 1930 followed by an exhibition in Calcutta in 1931.

His early paintings were rendered in monochromatic schemes, followed by two-toned and three-toned drawings. Other than a pen the artist used his fingers, bits of cotton wool and rag to daub, smudge and rub the inks to create color tones of great depth and intensity.  In many of his head studies there is an underlying sense of mysticism that has a mesmeric appeal. Tagore  explains the process of painting as follows 'Creation is not repetition, or correspondence in every particular between the object and its artistic presentation. The world of reality is all around us.  When I look at this phenomenon with my artist's eye, things are revealed in a different light which I try and recapture in my picture – call them realistic or not.  There is a world of dreams and fantasies which exists only in a man's imagination.  If I can but depict this in my pictures I can beat the Creator at His own game...' (Modern Indian Paintings from the National Gallery of Modern Art, New Delhi, introductory Essay).